Hi! How was everyone's (hopefully) long weekend? The weather was GORGEOUS here in Massachusetts, it felt like summer:)
Last week, I posted about how I finally painted the inside of our front door black. Over the weekend, I hung up the four antique fish prints that I got at the Brimfield show this May (hand colored engravings from 1827-1834, done by French naturalist and zoologist Baron Georges Cuvier ). I bought them specifically for the foyer, to go on either side of the front door.
On one side of the wall we have this pesky light switch. It pretty much dictated where the prints would go. I framed and hung them horizontally, because the light switch is fairly low on the wall and I was worried that if I went with vertical frames, the one under the light switch would start to get really too low on the wall. Plus maybe it helps to balance out all the vertical planes of the door, side window panes, etc.? (Please answer yes.)
If anyone is really paying close attention, you'll notice I did not use all of the original prints I bought at Brimfield. I actually cut up some of the pages to frame bits and pieces of them separately. Is that a big no no? Probably, but I thought it was better than abandoning the whole project and having these beauties sit in a box somewhere because I didn't like how some of the pages were cropped when trying to fit them into my mats.
The gigantic fish eye isn't buggin' anyone out, is it? I think this kind of stuff is so cool...as an illustration major in college I appreciate the technique and they kind of remind me of the technical drawings I used to have to do both as a product designer and a 3d animator.
Just for kicks, here's the foyer before before before (going way back to before we had the cherry floors sanded and restained in dark walnut, before the door went black and before said fish art):
And here's the after, as seen from the upstairs landing:
Starting a Collection: Ironstone
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